ARRI ALEXA Mini LF

ARRI ALEXA Mini LF

The ARRI ALEXA Mini LF represents the gold standard in digital cinematography, merging the compact, agile body of the classic ALEXA Mini with a breathtaking large-format 4.5K sensor. It delivers the revered “ARRI Look” with over 14 stops of dynamic range, exceptionally natural skin tones, and a gentle highlight roll-off. With robust internal ARRIRAW and ProRes recording, it’s the definitive rental choice for premium, uncompromising filmmaking.
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About This Product

In the cinematic arts, some tools are chosen for the job, and others are chosen to make a statement. The ARRI ALEXA Mini LF belongs to the latter. It is the benchmark against which all other digital cinema cameras are measured, an instrument of unparalleled imaging quality now available for hire at Unicorn Films. We are immensely proud to offer this industry-defining camera to the visionary cinematographers, production houses, and storytellers of Delhi-NCR and across India, empowering you to create visuals that are not just seen, but felt.

The heart of this camera is the very reason for its legendary status: the ARRI ALEV III (A2X) large-format sensor. This sensor, slightly larger than traditional full-frame, captures images with a uniquely immersive, three-dimensional quality. The “ARRI Look” isn’t a marketing term; it’s a tangible aesthetic defined by several key attributes:

  • Extraordinary Dynamic Range: With over 14 stops of latitude, the Mini LF gracefully handles extreme contrast. It retains intricate details in the brightest highlights while simultaneously seeing deep into the shadows, providing a natural, film-like image that gives you immense freedom in post-production.
  • Unrivaled Color Science: Skin tones are rendered with breathtaking accuracy and subtlety. Colors feel authentic and organic, separating cleanly for a rich, vibrant palette that never looks artificial.
  • Filmic Highlight Roll-off: The transition from correctly exposed areas to highlights is incredibly smooth and gentle, avoiding the harsh digital clipping found in lesser cameras.

This impeccable sensor is paired with a diverse and powerful recording engine. The Mini LF records internally to state-of-the-art Codex Compact Drives—a core part of our hassle-free rental packages at Unicorn Films. You have the choice between two of the most robust codecs in the industry:

  • ARRIRAW: The ultimate choice for quality. This is the camera’s uncompressed, unencrypted digital negative, offering the maximum possible image data for complete control over color, exposure, and visual effects in post-production.
  • Apple ProRes: For workflows that demand both high quality and efficiency, the camera offers a full suite of ProRes flavors, including ProRes 4444 XQ. It’s the perfect option for television, high-end corporate work, and projects with tighter turnaround times.

Shooting in its native 4.5K resolution provides immaculate oversampled images for stunningly sharp 4K, 2K, or HD deliverables, ensuring your final product is pristine.

True to its “Mini” name, this large-format power is housed in a compact, lightweight, and incredibly rugged carbon-fiber body. Its symmetrical, cube-like design makes it the master of versatility on set. Our knowledgeable crew at Unicorn Films can rig it for any scenario, from complex gimbal sequences and drone flights to intimate handheld work. This flexibility is a cornerstone of our service philosophy.

The Mini LF features a native LPL (Large Plastic Lens) mount, optimized for large-format lenses and featuring ARRI’s advanced Lens Data System (LDS-2) for frame-accurate metadata. For ultimate flexibility, our rental kits also include a PL-to-LPL adapter, granting you access to the vast world of professional PL mount cinema lenses. This commitment to a professional ecosystem extends to every aspect of the camera, from its crystal-clear MVF-2 viewfinder to its professional audio capabilities. When you hire the ALEXA Mini LF from Unicorn Films, you are not just renting a camera; you are accessing a complete, meticulously maintained, and production-ready system, backed by a team that eats, breathes, and dreams cinematography. Join us, and let’s paint with light.

Product Features

FeatureDescriptionBenefit
Sensor TypeLarge Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array.Creates the iconic “ARRI Look” with immersive depth and unparalleled image quality.
Sensor ResolutionNative 4.5K resolution (4448 x 3096). Multiple sensor modes available.Delivers pristine, highly-detailed images perfect for oversampling to 4K/UHD.
Dynamic RangeRated at 14+ stops of dynamic range from EI 160 to EI 3200.Captures extreme detail in highlights and shadows, offering incredible flexibility in grading.
Recording CodecsInternal recording of uncompressed ARRIRAW and various Apple ProRes formats.Offers the ultimate choice between maximum quality (ARRIRAW) and workflow efficiency (ProRes).
Lens MountNative LPL mount with LDS-2 support. A PL-to-LPL adapter is also available.Supports modern large-format lenses and is adaptable to the huge ecosystem of PL mount glass.
Frame RatesUp to 40 fps in 4.5K Open Gate, up to 60 fps in 4.5K 2.39:1, and up to 90 fps in 2K 16:9.Provides a range of creative options for standard speed, slow-motion, and high-speed capture.
Recording MediaUses proprietary Codex Compact Drives (1TB and 2TB available).Ensures a robust, reliable, and high-speed data workflow designed for professional sets.
Body ConstructionRugged and lightweight carbon-fiber body weighing approx. 2.6 kg (5.7 lbs).Ideal for handheld, Steadicam, gimbal, and drone work where size and weight are critical.
ViewfinderARRI Multi Viewfinder MVF-2 with a high-resolution OLED eyepiece and a fold-out LCD monitor.Provides a crystal-clear, accurate view of your image for precise operating.
Anamorphic SupportExtensive support for anamorphic lenses with 1.25x, 1.3x, 1.5x, 1.8x, and 2x de-squeeze ratios.Enables true cinematic anamorphic shooting with proper monitoring on set.

Frequently asked questions

What is the main advantage of the ALEXA Mini LF's large-format sensor over a Super 35 sensor?

The large-format sensor provides a shallower depth of field for a given field of view, creating a more immersive, three-dimensional look. It also typically results in a cleaner image with lower noise due to the larger pixel size.

While LPL lenses are designed to cover the full large-format sensor, our rental kits at Unicorn Films include a PL-to-LPL adapter. This allows you to use the vast range of industry-standard PL mount lenses, which can be used in various sensor modes.

The ALEXA Mini LF uses proprietary Codex Compact Drives for recording. Yes, our rental packages always include the necessary media, ensuring you have a reliable data solution for your shoot.

ARRIRAW provides the absolute best image quality and requires more data storage and processing power in post-production. For projects that demand the highest fidelity, it's the best choice. We can advise you on the right workflow for your project.

The body itself weighs only about 2.6 kg (5.7 lbs). Its compact and symmetrical design makes it exceptionally well-suited for gimbals, drones, and Steadicam, offering cinematic quality without the bulk of larger cameras.

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