There are cameras built to chase trends, and then there are cameras built to be the bedrock of modern digital cinematography. The ARRI ALEXA SXT (Super Extended Technology) firmly belongs in the latter category. For years, it has been the trusted choice for DPs and production companies who require an unwavering combination of reliability, workflow efficiency, and sublime image quality. At Unicorn Films, we understand that peace of mind is paramount on set, which is why we proudly offer this production-proven titan for hire in Delhi-NCR and across India.
The foundation of the SXT’s power is the iconic Super 35 format ARRI ALEV III CMOS sensor. This is the very sensor that established the digital “ARRI Look,” renowned for its organic, film-like texture and unparalleled color fidelity. It captures the world with over 14 stops of dynamic range, rendering the most delicate gradations of light with natural grace. This means you can hold detail in a sunlit window and the deep corners of a room within the same shot, giving you incredible flexibility. The color science is, simply put, the industry standard:
What set the SXT line apart was its immense leap forward in recording capabilities. This camera is a workflow powerhouse, offering a multitude of high-quality recording options directly in-camera, a feature that our Unicorn Films crew knows is critical for managing time and budgets.
This dual-pronged approach to recording makes the SXT one of the most versatile cinema cameras ever built.
The SXT also introduced a significantly more powerful color management engine. It allows for the application of 3D Look-Up Tables (LUTs) directly on set. This means the director and cinematographer can view a live image that closely represents the final intended look of the film. This on-set look management ensures the creative vision is maintained from capture through to final color, a level of professional control we are proud to support. The camera’s standard PL Mount with LDS (Lens Data System) further integrates it into a professional workflow, feeding crucial lens metadata directly into your post pipeline.
Built like a tank, the ALEXA SXT is engineered for the demands of a professional film set. Its robust chassis and advanced cooling system ensure stable, reliable performance through long shooting days and in challenging environments. This isn’t just a camera; it’s a dependable partner in the creative process. Renting the ARRI ALEXA SXT from Unicorn Films means choosing a legacy of quality, a future-proof workflow, and the confidence that your vision will be captured flawlessly, one frame at a time.
| Feature | Description | Benefit |
|---|---|---|
| Sensor Type | Super 35 format ARRI ALEV III CMOS sensor with a 3.4K native resolution. | Provides the classic filmic “ARRI Look” with a sensor size compatible with most cinema lenses. |
| Recording Formats | In-camera recording to Apple ProRes (up to 4K UHD) and ARRIRAW (up to 3.4K). | Offers ultimate workflow flexibility, from efficient edit-ready files to uncompressed RAW data. |
| Dynamic Range | Exposure latitude of 14+ stops, as rated at base EI 800 sensitivity. | Captures incredible detail in both shadows and highlights, mirroring the qualities of film. |
| Lens Mount | Industry-standard PL Mount with support for ARRI’s Lens Data System (LDS). | Ensures compatibility with a vast range of professional cinema lenses and captures valuable metadata. |
| Frame Rates | 0.75 – 120 fps, depending on the recording format and resolution selected. | Allows for creative choices from time-lapse effects to high-speed slow-motion capture. |
| Anamorphic Support | In-camera de-squeeze for 1.3x and 2x anamorphic lenses, with multiple sensor modes. | Enables true anamorphic acquisition for a classic, cinematic widescreen aesthetic. |
| Color Management | Advanced engine supporting on-set look application via 3D LUTs (ASC CDL compatible). | Ensures the creative vision established on set is seamlessly carried through to post-production. |
| Recording Media | Supports multiple media types including CFast 2.0 cards, SxS PRO+ cards, and SXR Capture Drives. | Provides robust and flexible data solutions suitable for any production budget and workflow. |
| Body & Power | Robust chassis with advanced cooling system. Integrated professional power outputs. | Ensures maximum reliability on demanding shoots and can power a range of camera accessories. |
| Base Sensitivity | Native Exposure Index (EI) of 800, optimized for the best dynamic range performance. | Provides clean, rich images with extremely low noise at its optimal sensitivity setting. |
Yes. The ALEXA SXT can record in-camera to Apple ProRes in various resolutions, including 4K UHD (3840 x 2160), making it perfect for modern 4K delivery requirements.
Absolutely. The SXT's ability to record directly to high-quality, edit-friendly Apple ProRes codecs makes it an excellent choice for commercials, television, and any project where post-production speed is essential.
The SXT features a standard PL lens mount, making it compatible with the vast majority of professional Super 35 cinema lenses from manufacturers like ARRI, Zeiss, Cooke, and many others available for rent at Unicorn Films.
You would shoot ARRIRAW when you need the absolute maximum image quality and data for post-production. It's ideal for projects with extensive visual effects, complex color grades, or those intended for the highest-quality theatrical presentation.
While larger than an ALEXA Mini, the SXT is well-balanced and widely used for shoulder-mounted handheld work, especially in narrative and documentary filmmaking. For lightweight gimbal or drone work, the ALEXA Mini or Mini LF would be a more suitable choice.
