Unicorn Films rents the Atomos Ninja V, a compact 5-inch 10-bit HDR monitor-recorder that unlocks higher-quality acquisition and pro monitoring on mirrorless, DSLR, and cinema cameras. Record up to 4Kp60 over HDMI in Apple ProRes, Avid DNx, or H.265 directly to SSD media, while using powerful exposure, focus, and framing tools on a 1,000-nit daylight-viewable touchscreen.
The Ninja V fits fast-paced production: external recording can bypass internal compression limits and time caps on many cameras, producing edit-ready files for rapid turnaround. With LOG/HDR support and LUT workflow, operators can view accurate images on set while preserving maximum dynamic range in the recorded files. When paired with supported cameras, the Ninja V also enables Apple ProRes RAW over HDMI for increased latitude in color and exposure during grading.
Power and media are straightforward. Run NP-F (L-series) batteries or DC via a battery eliminator; typical runtime with a 5200mAh pack is up to ~2 hours while monitoring and recording 4K60. Record to AtomX SSDmini or approved 2.5-inch SSDs using the included caddy. The Ninja ecosystem is expandable via AtomX modules (such as CONNECT, SYNC, or NDI on select Ninja models), adding timecode sync, network, and IP video workflows. With broad camera compatibility and flexible codecs, Ninja V is a reliable upgrade for interviews, B‑roll, corporate, e‑commerce, and indie narrative work.
Rent the Atomos Ninja V from Unicorn Films to add pro monitoring and high-quality external recording to small-camera rigs without bulk.
| Feature | Description | Benefit |
|---|---|---|
| 5-inch 1,000-nit Display | Daylight-viewable IPS panel with wide color for accurate on-set monitoring. | Confident exposure and color outdoors and in studio. |
| 10-bit 4:2:2 Recording | Records Apple ProRes and Avid DNx via HDMI to SSD media. | Edit-ready files with robust color and smooth gradients. |
| AtomHDR + 3D LUTs | Log viewing, LUT preview, and HDR monitoring tools. | Accurate look management while preserving dynamic range. |
| Professional Scopes | Waveform, parade, vectorscope, false color, and zebras. | Precise exposure and color control on set. |
| Anamorphic De-squeeze | Multiple ratios supported for proper monitoring. | True composition preview with anamorphic lenses. |
| HDMI 2.0 Input | High-bandwidth input from supported cameras. | Bypass internal codec limits for higher quality. |
| SSD Media Recording | 2.5-inch SSDs in Master Caddy system. | Reliable, affordable, and high-capacity storage. |
| NP-F Battery Power | Single-slot design with hot-swap capability. | Extended runtime and minimal downtime. |
| Timecode Support | Accepts and embeds timecode from camera or generator. | Clean multicam sync and faster post. |
| Aluminum Chassis | Compact, durable housing with multiple mounts. | Rugged reliability for travel and rentals. |
The Ninja V supports many HDMI-equipped mirrorless and cinema cameras that output clean signals, enabling 10-bit ProRes or DNx recording and advanced monitoring.
With compatible cameras and appropriate licenses or modules, Ninja V variants can record ProRes RAW via HDMI, depending on camera support and firmware.
The 1,000-nit panel is designed for daylight visibility, and exposure tools like false color and zebras help maintain accurate results in harsh light.
Use approved 2.5-inch SSDs in the Atomos Master Caddy for reliable performance, long record times, and quick offloads during production.
Yes, it loads custom 3D LUTs for on-set look preview while recording a clean log file, preserving full dynamic range for grading.
