In the landscape of digital cinema, there are tools that capture what the eye can see, and then there are instruments designed to capture reality with a level of detail and flexibility that pushes the boundaries of imagination. The RED V-RAPTOR 8K VV sits firmly in the latter camp. It is the genesis of RED’s new DSMC3 platform, a marvel of engineering that delivers immense power in a shockingly compact form. At Unicorn Films, we are committed to providing creators with the future of imaging technology, and the V-RAPTOR is a definitive statement in that mission.
The conversation about the V-RAPTOR begins with one word: resolution. At its core is a multi-format 8K Vista Vision sensor, capturing a massive 8192 x 4320 pixel canvas. This isn’t just about delivering in 8K; it’s about unparalleled freedom in post-production. For our clients in Delhi’s fast-paced production environment, this means:
This immense detail is captured across a jaw-dropping 17+ stops of dynamic range, giving colorists a vast and pliable digital negative to work with.
If resolution is the camera’s mind, then its heart is pure speed. The V-RAPTOR offers some of the most impressive high-frame-rate capabilities on the market today. It allows you to slow down time and reveal the beauty in motion that is impossible to see with the naked eye. Consider the possibilities:
All of this data is captured in RED’s powerful and flexible REDCODE RAW (R3D) format. This advanced codec allows for visually lossless compression, providing the full benefits of RAW recording without unmanageable file sizes. With selectable tiers like HQ, MQ, and LQ, you can tailor your data rate to your project’s specific needs, from a blockbuster feature to a high-end corporate film. Our Unicorn Films rental kits come complete with certified CFexpress Type B media, ensuring a secure and high-performance data workflow from the start.
The V-RAPTOR’s DSMC3 body is a triumph of modern design. It’s incredibly lightweight and compact, making it perfectly suited for the gimbals, drones, and agile rigs that modern productions demand. A key feature of this new platform is the versatile RF lens mount. This not only allows for the use of Canon’s exceptional new native RF lenses but, thanks to its short flange distance, provides for robust, solid adaptation to the industry-standard PL and EF mount lenses that form the backbone of our rental inventory. Backed by our knowledgeable crew and our commitment to hassle-free service, renting the RED V-RAPTOR is your ticket to the cutting edge of cinema technology.
| Feature | Description | Benefit |
|---|---|---|
| Sensor Type | 8K Vista Vision 35.4 Megapixel CMOS sensor. | Captures large-format images with immense resolution for ultimate post-production flexibility. |
| Dynamic Range | Claimed 17+ stops, providing extreme latitude in exposure. | Retains vast amounts of detail in deep shadows and bright highlights simultaneously. |
| Max Frame Rates | 120 fps at 8K, 160 fps at 6K, 240 fps at 4K, 480 fps at 2K. | Offers class-leading slow-motion capabilities for a wide range of creative applications. |
| Recording Codec | REDCODE RAW with selectable HQ, MQ, and LQ compression options. | Provides the flexibility of RAW recording in manageable file sizes suitable for any project. |
| Lens Mount | Native RF mount. Adaptable to PL, EF, and other mounts via optional adapters. | Offers incredible versatility, from modern autofocus lenses to professional cinema glass. |
| Recording Media | Records to industry-standard CFexpress Type B cards. | A modern, fast, and reliable media solution for handling high-resolution, high-speed data. |
| Autofocus | Integrated phase-detect autofocus system with face and object tracking. | Provides reliable autofocus capabilities, a significant workflow enhancement for RED cameras. |
| Body & Platform | Compact and lightweight DSMC3 form factor, weighing approx. 1.82 kg (4.03 lbs). | Perfect for agile setups including gimbals, drones, and lightweight handheld configurations. |
| Color Pipeline | Features RED’s IPP2 (Image Processing Pipeline 2) for advanced color management. | A highly flexible and accurate color science designed for modern HDR workflows. |
| Monitoring | Integrated 2.4″ LCD for direct camera control. SDI outputs for professional monitoring. | Provides both on-camera control and standard connections for production monitoring. |
Shooting in 8K provides massive benefits for any delivery resolution. It allows you to re-frame, crop, or apply stabilization in post-production without any loss of quality. Furthermore, downsampling an 8K image to 4K results in a dramatically sharper and more detailed final picture.
REDCODE RAW (R3D) is RED's proprietary compressed RAW format. It gives you the full flexibility of a RAW file (adjusting ISO, white balance, etc., in post) in a more manageable file size. Modern editing software handles R3D files very well, often with a simple proxy workflow, which we can advise on.
The RF mount is modern and highly adaptable. It allows for the use of new, high-performance Canon RF lenses and, more importantly, its design allows for very solid and reliable adapters for professional PL mount and Canon EF mount lenses, giving you a huge range of creative choices.
Yes, it's excellent for it. As part of the new DSMC3 platform, the V-RAPTOR is significantly smaller and lighter than previous RED cameras, making it one of the most powerful and compact options available for gimbal, drone, and other mobile camera rigs.
he V-RAPTOR uses RED-approved CFexpress Type B cards. It's crucial to use certified cards to handle the high data rates, especially at high resolutions and frame rates. All our Unicorn Films rental kits include the proper certified media.
